PAGE 30

THE OLD WORKMAN

"Why are you so bent down before your time,
Old mason? Many have not left their prime
So far behind at your age, and can still
Stand full upright at will."

He pointed to the mansion-front hard by,
And to the stones of the quoin against the sky;
"Those upper blocks," he said, "that there you see,
It was that ruined me."

There stood in the air up to the parapet
Crowning the corner height, the stones as set
By him - ashlar whereon the gales might drum
For centuries to come.

"I carried them up," he said, "by a ladder there;
The last was as big a load as I could bear;
But on I heaved; and something in my back
Moved, as 'twere with a crack.

"So I got crookt. I never lost that sprain;
And those who live there, walled from wind and rain
By freestone that I lifted, do not know
That my life's ache came so.

"They don't know me, or even know my name,
But good I think it, somehow, all the same
To have kept 'em safe from harm, and right and tight,
Though it has broke me quite.

"Yes; that I fixed it firm up there I am proud,
Facing the hail and snow and sun and cloud,
And to stand storms for ages, beating round
When I lie underground."

-o0o-

THE SUPERCEDED

As newer comers crowd the fore,
   We drop behind.
- We who have laboured long and sore
   Times out of mind,
And keen are yet, must not regret
   To drop behind.

Yet there are of us some who grieve
   To go behind;
Staunch, strenuous souls who scarce believe
   Their fires declined,
And know none cares, remembers, spares
   Who go behind.

 'Tis not that we have unforetold
   The drop behind;
We feel the new must oust the old
   In every kind;
But yet we think, must we, must WE,
   Too, drop behind?

-o0o-

AT THE RAILWAY STATION, UPWAY

"There is not much that I can do,
For I've no money that's quite my own!"
Spoke up the pitying child -
A little boy with a violin
At the station before the train came in, -
"But I can play my fiddle to you,
And a nice one 'tis, and good in tone!"

The man in the handcuffs smiled;
The constable looked, and he smiled, too,
As the fiddle began to twang;
And the man in the handcuffs suddenly sang
Uproariously:
"This life so free
Is the thing for me!"
And the constable smiled, and said no word,
As if unconscious of what he heard;
And so they went on till the train came in -
The convict, and boy with the violin.

-o0o-

THE WALK

You did not walk with me
Of late to the hill-top tree
By the gated ways,
As in earlier days;
You were weak and lame,
So you never came,
And I went alone, and I did not mind,
Not thinking of you as left behind.

I walked up there to-day
Just in the former way;
Surveyed around
The familiar ground
By myself again:
What difference, then?
Only that underlying sense
Of the look of a room on returning thence.

-o0o-

More poetry next Thursday

-o-o-o-o-o-o-o-o-o-o-

PAGE 29

CHANNEL FIRING

That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgement-day

And sat upright,  While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worm drew back into the mounds,

The glebe cow drooled. Till God cried,
"No; It's gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

"All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

"That this is not the judgment-hour
For some of them's a blessed thing,
For if it were they'd have to scour
Hell's floor for so much threatening. . . .

"Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need)."

So down we lay again. "I wonder,
Will the world ever saner be,"
Said one, "than when He sent us under
In our indifferent century!"

And many a skeleton shook his head.
"Instead of preaching forty year,"
My neighbour Parson Thirdly said,
"I wish I had stuck to pipes and beer."

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.

-o0o-

HER FATHER 

I met her, as we had privily planned,
Where passing feet beat busily:
She whispered: "Father is at hand!
       He wished to walk with me."

His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
       What Love must lose that day.

Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
       Embarrassed, stiff, and cold.

A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
       As of no worth at all?

"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
       Of Time, and wrack, and foes."

-o0o-

I FOUND HER OUT THERE

I found her out there
On a slope few see,
That falls westwardly
To the salt-edged air,
Where the ocean breaks
On the purple strand,
And the hurricane shakes
The solid land.

I brought her here,
And have laid her to rest
In a noiseless nest
No sea beats near.
She will never be stirred
In her loamy cell
By the waves long heard
And loved so well.

So she does not sleep
By those haunted heights
The Atlantic smites
And the blind gales sweep,
Whence she often would gaze
At Dundagel's famed head,
While the dipping blaze
Dyed her face fire-red;

And would sigh at the tale
Of sunk Lyonesse,
As a wind-tugged tress
Flapped her cheek like a flail
Or listen at whiles
With a thought-bound brow
To the murmuring miles
She is far from now.

Yet her shade, maybe,
Will creep underground
Till it catch the sound
Of that western sea
As it swells and sobs
Where she once domiciled,
And joy in its throbs
With the heart of a child

-o0o-

 THE FROZEN GREENHOUSE

"There was a frost
Last night!" she said,
"And the stove was forgot
When we went to bed,
And the greenhouse plants
are frozen dead!"

By the breakfast blaze
Blank-faced spoke she,
Her scared young look
Seeming to be
The very symbol
Of tragedy.

The frost is fiercer
Than then today,
As I pass the place
Of her once dismay,
But the greenhouse stands
Warm, tight, and gay,

While she who grieved
At the sad lot
Of her pretty plants -
Cold, iced, forgot -
Herself is colder,
And knows it not.

-o0o-

My blog JOHN'S QUIET CORNER ran from My 2009 until May 2011.A new series begins tomorrow.

http://john-quietcorner.blogspot.com

PAGE 28

THE BLINDED BIRD

So zestfully canst thou sing?
And all this indignity,
With God's consent, on thee!
Blinded ere yet a-wing
By the red-hot needle thou,
I stand and wonder how
So zestfully thou canst sing!

Resenting not such wrong,
Thy grievous pain forgot,
Eternal dark thy lot,
Groping thy whole life long;
After that stab of fire;
Enjailed in pitiless wire;
Resenting not such wrong!

Who hath charity? This bird.
Who suffereth long and is kind,
Is not provoked, though blind
And alive ensepulchred?
Who hopeth, endureth all things?
Who thinketh no evil, but sings?
Who is divine? This bird.

-o0o-

A MAIDEN’S PLEDGE

I do not wish to win your vow
To take me soon or late as bride,
And lift me from the nook where now
I tarry your farings to my side.
I am blissful ever to abide
In this green labyrinth - let all be,
If but, whatever may betide,
You do not leave off loving me!

Your comet-comings I will wait
With patience time shall not wear through;
The yellowing years will not abate
My largened love and truth to you,
Nor drive me to complaint undue
Of absence, much as I may pine,
If never another 'twixt us two
Shall come, and you stand wholly mine.

-o0o-

THE FIVE STUDENTS

The sparrow dips in his wheel-rut bath,
   The sun grows passionate-eyed,
And boils the dew to smoke by the paddock-path;
   As strenuously we stride, —
Five of us; dark He, fair He, dark She, fair She, I,
  All beating by.

The air is shaken, the high-road hot,
   Shadowless swoons the day,
The greens are sobered and cattle at rest; but not
   We on our urgent way, —
Four of us; fair She, dark She, fair He, I, are there,
   But one - elsewhere.

Autumn moulds the hard fruit mellow,
   And forward still we press
Through moors, briar-meshed plantations, clay-pits yellow,
As in the spring hours - yes,
Three of us; fair He, fair She, I, as heretofore,
   But - fallen one more.

The leaf drops: earthworms draw it in
   At night-time noiselessly,
The fingers of birch and beech are skeleton-thin
   And yet on the beat are we, —
Two of us; fair She, I. But no more left to go
   The track we know.

Icicles tag the church-aisle leads,
   The flag-rope gibbers hoarse,
The home-bound foot-folk wrap their snow-flaked heads,
   Yet I still stalk the course —
One of us -  Dark and fair He, dark and fair She - gone:
   The rest - anon.

-o0o-

THE FALLOW DEER AT THE LONELY HOUSE

One without looks in to-night
Through the curtain-chink
From the sheet of glistening white;
One without looks in to-night
As we sit and think
By the fender-brink.

We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wondering, aglow,
Fourfooted, tiptoe.

-o0o-

PAGE 27

AT MOONRISE AND ONWARDS

  I thought you a fire
   On Heron-Plantation Hill,
Dealing out mischief the most dire
   To the chattels of men of hire
      There in their vill.

      But by and by
   You turned a yellow-green,
Like a large glow-worm in the sky;
   And then I could descry
      Your mood and mien.

      How well I know
   Your furtive feminine shape!
As if reluctantly you show
   You nude of cloud, and but by favour throw
      Aside its drape -

     - How many a year
   Have you kept pace with me,
Wan Woman of the waste up there,
   Behind a hedge, or the bare
      Bough of a tree!

No novelty are you,
   O Lady of all my time,
Veering unbid into my view
   Whether I near Death's mew,
      Or Life's top cyme!

-o0o-

WHY BE AT PAINS

Why be at pains that I should know
   You sought not me?
Do breezes, then, make features glow
   So rosily?
Come, the lit port is at our back,
   And the tumbling sea;
Elsewhere the lampless uphill track
   To uncertainty!

O should not we two waifs join hands?
   I am alone,
You would enrich me more than lands
   By being my own.
Yet, though this facile moment flies,
   Close is your tone,
And ere to-morrow's dewfall dries
   I plough the unknown.

-o0o-

A HOUSE WITH HISTORY

There is a house in a city street
   Some past ones made their own;
Its floors were criss-crossed by their feet,
      And their babblings beat
   From ceiling to white hearth-stone.

And who are peopling its parlours now?
   Who talk across its floor?
Mere freshlings are they, blank of brow,
      Who read not how
   Its prime had passed before

Their raw equipments, scenes, and says
   Afflicted its memoried face,
That had seen every larger phase
      Of human ways
   Before these filled the place.

To them that house's tale is theirs,
   No former voices call
Aloud therein.  Its aspect bears
      Their joys and cares
   Alone, from wall to wall.

-o0o-

GROWTH IN MAY

 I enter a daisy-and-buttercup land,
   And thence thread a jungle of grass:
Hurdles and stiles scarce visible stand
   Above the lush stems as I pass.

Hedges peer over, and try to be seen,
   And seem to reveal a dim sense
That amid such ambitious and elbow-high green
   They make a mean show as a fence.

Elsewhere the mead is possessed of the neats,
   That range not greatly above
The rich rank thicket which brushes their teats,
   And HER gown, as she waits for her Love.

-o0o-

PAGE 26

MIDNIGHT ON THE GREAT WESTERN

In the third-class seat sat the journeying boy,
And the roof-lamp's oily flame
Played down on his listless form and face,
Bewrapt past knowing to what he was going,
Or whence he came.

In the band of his hat the journeying boy
Had a ticket stuck; and a string
Around his neck bore the key of his box,
That twinkled gleams of the lamp's sad beams
Like a living thing.

What past can be yours, O journeying boy
Towards a world unknown,
Who calmly, as if incurious quite
On all at stake, can undertake
This plunge alone?

Knows your soul a sphere, O journeying boy,
Our rude realms far above,
Whence with spacious vision you mark and mete
This region of sin that you find you in,
But are not of?

-o0o-

THE DIVISION

Rain on the windows, creaking doors,
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!

O were it but the weather, Dear,
O were it but the miles
That summed up all our severance,
There might be room for smiles.

But that thwart thing betwixt us twain,
Which nothing cleaves or clears,
Is more than distance, Dear, or rain,
And longer than the years!

-o0o-

PROUD SONGSTERS

The thrushes sing as the sun is going,
And the finches whistle in ones and pairs,
And as it gets dark loud nightingales
In bushes
Pipe, as they can when April wears,
As if all Time were theirs.

These are brand new birds of twelvemonths' growing,
Which a year ago, or less than twain,
No finches were, nor nightingales,
Nor thrushes,
But only particles of grain,
And earth and air and rain.

-o0o-

LYING AWAKE

You, Morningtide Star, now are steady-eyed, over the east,
      I know it as if I saw you;
You, Beeches, engrave on the sky your thin twigs, even the least;
      Had I paper and pencil I'd draw you.

You, Meadow, are white with your counterpane cover of dew,
      I see it as if I were there;
You, Churchyard, are lightening faint from the shade of the yew,
      The names creeping out everywhere.

-o-o-o-o-o-o-o-o-

PAGE 25

OLD EXCURSIONS

"What's the good of going to Ridgeway,
Cerne, or Sydling Mill,       
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do?
She will no more climb up there,
Or be visible anywhere
In those haunts we knew."

But to-night, while walking weary,
Near me seemed her shade,
Come as 'twere to upbraid
This my mood in deeming dreary
Scenes that used to please;
And, if she did come to me,
Still solicitous, there may be
Good in going to these.

So, I'll care to roam to Ridgeway,
Cerne, or Sydling Mill,
Or to Yell'ham Hill,
Blithely bearing Casterbridge-way
As we used to do,
Since her phasm may flit out there,
And may greet me anywhere
In those haunts we knew.

-o0o-

ANY LITTLE OLD SONG

Any little old song
Will do for me,
Tell it of joys gone long,
Or joys to be,
Or friendly faces best
Loved to see.

Newest themes I want not
On subtle strings,
And for thrillings pant not
That new song brings:
I only need the homeliest
Of heart-stirrings.

-o0o-

THE BEAUTY

O do not praise my beauty more,
In such word-wild degree,
And say I am one all eyes adore;
For these things harass me!

But do for ever softly say:
“From now unto the end
Come weal, come wanzing, come what may,
Dear, I will be your friend.”

I hate my beauty in the glass:
My beauty is not I:
I wear it: none cares whether, alas,
Its wearer live or die!

The inner I O care for, then,
Yea, me and what I am,
And shall be at the gray hour when
My cheek begins to clam.

-o0o-

LIFE LAUGHS ONWARD

Rambling I looked for an old abode
Where, years back, one had lived I knew;
Its site a dwelling duly showed,
But it was new.

I went where, not so long ago,
The sod had riven two breasts asunder;
Daisies throve gaily there, as though
No grave were under.

I walked along a terrace where
Loud children gambolled in the sun;
The figure that had once sat there
Was missed by none.

Life laughed and moved on unsubdued,
I saw that Old succumbed to Young:
'Twas well. My too regretful mood
Died on my tongue.

-o-o-o-o-o-o-o-o-o-o-

PAGE 24

IN THE SMALL HOURS

I lay in my bed and fiddled
With a dreamland viol and bow,
And the tunes flew back to my fingers
I had melodied years ago.
It was two or three in the morning
When I fancy-fiddled so
Long reels and country-dances,
And hornpipes swift and slow.

And soon anon came crossing
The chamber in the gray
Figures of jigging fieldfolk -
Saviours of corn and hay -
To the air of "Haste to the Wedding,"
As after a wedding-day;
Yea, up and down the middle
In windless whirls went they!

There danced the bride and bridegroom,
And couples in a train,
Gay partners time and travail
Had longwhiles stilled amain! . . .
It seemed a thing for weeping
To find, at slumber's wane
And morning's sly increeping,
That Now, not Then, held reign.

-o0o-

MISCONCEPTION

I busied myself to find a sure
Snug hermitage
That should preserve my Love secure
From the world's rage;
Where no unseemly saturnals,
Or strident traffic-roars,
Or hum of intervolved cabals
Should echo at her doors.

I laboured that the diurnal spin
Of vanities
Should not contrive to suck her in
By dark degrees,
And cunningly operate to blur
Sweet teachings I had begun;
And then I went full-heart to her
To expound the glad deeds done.

She looked at me, and said thereto
With a pitying smile,
"And THIS is what has busied you
So long a while?
O poor exhausted one, I see
You have worn you old and thin
For naught! Those moils you fear for me
I find most pleasure in!"

-o0o-

A THUNDERSTORM IN TOWN

She wore a 'terra-cotta' dress,
And we stayed, because of the pelting storm,
Within the hansom's dry recess,
Though the horse had stopped; yea, motionless
We sat on, snug and warm.

Then the downpour ceased, to my sharp sad pain,
And the glass that had screened our forms before
Flew up, and out she sprang to her door:
I should have kissed her if the rain
Had lasted a minute more. 

-o0o-

I SOMETIMES THINK  

I sometimes think as here I sit
Of things I have done,
Which seemed in doing not unfit
To face the sun:
Yet never a soul has paused a whit
On such - not one.

There was that eager strenuous press
To sow good seed;
There was that saving from distress
In the nick of need;
There were those words in the wilderness:
Who cared to heed?

Yet can this be full true, or no?
For one did care,
And, spiriting into my house, to, fro,
Like wind on the stair,
Cares still, heeds all, and will, even though
I may despair. 

-o-o-o-o-o-o-o-o-o-o-